A single Bartlett pear, its skin shading from warm yellow to a blush of rose-red on one side, drawn with two leaves and its own curling stem in the manner of a nineteenth-century pomological record. The pear's name is lettered in small type beneath it, carried over from the original botanical plate.
Flat and compact, the tray rests on a felt base. Propped upright, the pear becomes its own small still life; laid flat, it works as a catch-all by the door for keys, rings, or loose coins.
Dimensions: 8.9 × 12.7 cm. Made in New York City.
Material: Collaged paper beneath hand-blown glass, set on a felt base.
ABOUT the MAKER
John Derian
Since 1989, John Derian has worked from a single New York studio, turning the technique of decoupage into a signature practice of its own. Each object begins with a print pulled from his archive of eighteenth- and nineteenth-century engravings and illustrations: botanical studies, maritime scenes, playing cards, birds, and fragments of natural history. Trained artisans cut the images by hand, layer them beneath hand-blown glass, and seal them so the paper becomes part of the object itself, not simply applied to its surface. The result sits somewhere between a functional object and a small work of art: a paperweight, a desk cup, a cake pedestal, a tray. We carry the collection at Tessuti because each piece holds its history openly. The prints are old, the glass is blown by hand, and no two pieces are ever quite identical, so what arrives on a shelf or a desk carries a little of the studio it came from. These are pieces meant to be used and lived with rather than kept for display alone, gathering the marks of everyday life the way any well-loved object does over time.
